Entries tagged with “musicians”.


On Saturday, December 17, 2016, SC Gospel Quartet Radio and SC Gospel Quartet Awards presented an appreciation program for Toby A. Goodson. The concert was held at Faith, Hope and Charity Church in Columbia, SC.

Before reporting on the concert, let me tell you about Toby. Toby is the son of Sister Blanche and Brother Ronald Goodson. Sister Goodson is affectionately referred to as The Mouth Of The South. She is a radio angel, promoter and currently the CEO of SC Gospel Quartet Radio and SC Gospel Quartet Awards. As CEO of SC Gospel Quartet Radio, she has taken an idea of having an online radio broadcast and launched a 24/7 online station that is changing the way gospel fans around the world get their praise on at home, work and while traveling. Ronald Goodson is a songwriter, arranger, singer and musician extraordinaire, he is also the lead guitarist for The Legendary National Juniors.

Thus Toby grew up immersed in the gospel music genre. As a result, he is an exceptional drummer. He is a music producer. He is also one of the up and coming music engineers  with a unique ability to maximize digital software and equipment to get the most out of artists. So, it was fitting that his Mom and Dad would want to celebrate the holiday season with a gospel concert Appreciation Program just for their son.

The concert began with devotion by Little Ms. Danasha Richardson. What a talent. At six (6) years old, she delivered biblical scriptures and very fitting devotional songs like a pro. The concert performers were The Southern Gospel Singers, Willie Goins & The Medlondyettes, The National Juniors and The Talley Boys, with Minister Teddy Cross and Robert Williams. All of the groups were great. The National Juniors introduce the congregation to the title track from their new CD “Just Look How The Lord Blessing You And Me.”

The headliners The Talley Boys, with Minister Teddy Cross and Robert Williams took the services to greater heights.  Now, for gospel fans, you know that The Talley Boys were the musicians for the group Willie Neal Johnson & The New Gospel Keynotes. And, you also know that Minister Cross and Robert Williams were longtime members of The Gospel Keynotes as well as The New Keynotes.

So, having Minister Cross and Robert Williams on stage with the Talley Boys brought back fond memories of the legendary Gospel Keynotes. This was a reunion of sorts and what a reunion it was. Minister Cross and Robert Williams shared lead duties. Yes, Minister Cross did call “Robert” just like the late Willie Neal Johnson would have. And, yes, the guys embraced all of the comedic moves that fans were use to seeing by a performance of “The Gospel Keynotes.” But, they sang. And, they took the audience down memory lane. And, what a trip it was – with songs like, “Jesus, You’ve Been Good To Me,” “This Is Just A Rehearsal,” and so many more. What a grand time we had with this new configuration of The Keynotes.

If you are a promoter and you want to bring to your city a group that will electrify the audience and deliver that traditional gospel quartet sound with a twenty-first century flare, then you need to book The Talley Boys, with Minister Teddy Cross and Robert Williams. You will not be disappointed. And, your audience will surely be saying “Lord, I Thank You.”

The Dixie HummingbirdsHow did the month of June become Black Music Month? “Spurred by the songwriter and record producer Kenny Gamble, President Jimmy Carter in 1979 designated June as Black Music Month.” Each president since Carter has issued a proclamation reaffirming the designation.

According to the Proclamation recently issued by President Barack Obama, the “music of our Nation has always spoken to the condition of our people and reflected the diversity of our Union. African-American musicians, composers, singers, and songwriters have made enormous contributions to our culture by capturing the hardships and aspirations of a community and reminding us of our shared values. During African-American Music Appreciation Month, we honor the rich musical traditions of African-American musicians and their gifts to our country and our world.

From the cadenced hums of spirituals to the melodies of rhythm and blues, African-American music has been used to communicate, to challenge, to praise, and to uplift in times of both despair and triumph. The rhythmic chords embedded in spirituals have long expressed a deep faith in the power of prayer, and brought hope to slaves toiling in fields. The soulfulness of jazz and storytelling in the blues inspired a cultural renaissance, while the potent words of gospel gave strength to a generation that rose above the din of hatred to move our country toward justice and equality for all.”

This is the month the nation has set aside to place emphasis on the history, artistry and culture of Black Music. Well, for those that visit this site you know that here each month we celebrate the history, artistry and culture of traditional gospel quartet music.

During this month we will spotlight gospel quartet groups (and singers) that may not be household names, but are just as important to this genre as the major (sometime called ‘National’ artists). We encourage each of you to take the time this month and tell others (particularly young people) about the groups in your area that contribute to the gospel quartet genre.

CD Introducing The Anointed Brothers of Flint, MichiganWe just received the new CD Introducing The Anointed Brothers of Flint, Michigan. What an outstanding project. There are twelve songs on the project. There are many original songs on this the group’s freshman project. And, the Public Domain songs on the project certainly have original arrangements. This may be the group’s first CD, but they are certainly not neophytes to the music industry. They are polished outstanding singers. And, they know how to deliver a message that ministers to the listener.

The Anointed Brothers have been together for nine (9) years. However, the members have been involved in gospel music for many years before forming The Anointed Brothers.

Members of the group are Jeffery (Jay) Williams, Bobby Plair, Marc Nunn, and Robert Young, Jr. Williams was a member of The Bright Stars and The Sheperds of Flint, Michigan. Plair was also a member of The Sheperds. Nunn was a member of The Flint Cavaliers. The members are also songwriters, producers and musicians.

With twelve (12) songs on the project, there is something for everyone. From the opening chords of “It Could Have Been Me” to the final chord of “I Need Thee,” the Brothers deliver extraordinary vocals, inspiring messages, and just great gospel music.